|
Recording Bass - by Ross Hogarth (R.E.M., Jewel, Motley Crue,
The Black Crows)
When recording bass, the first thing is to have a great sound.
You have to make this a priority and give it some real time and attention. Beyond
that, I like to record several tracks at a time by splitting the signal up 4
different ways. Doing this gives me a lot of flexibility when it comes time
to mix and helps maintain proper phase alignment.
To split the signal, I use a Jonathon Little D.I./Splitter. It takes the original
bass signal and splits it four ways. I will then send one of these outputs directly
to tape. The sound I get from the D.I./Splitter is very clean and untainted,
which allows me to EQ the actual sound of the bass. I can also use this D.I.
signal as the original bass signal if I need to add a track or fix a sound in
mix down. However, the straight D.I. sound is too clinical to use by itself.
To get color and character in the bass sound, Ill use different treatments
on the other 3 outputs of the Jonathon Little D.I./Splitter. Ill send
one output to an amp, which I mic with a large diaphragm condenser. I often
use a fet47, although I have also used a Blue Mouse. Ive tried blending
multiple mics, but I found that one great mic works the best. Unless the bass
is clacky, an amp tends to have less detail. Therefore, placing the mic close
to the dome of the speaker helps compensate for an amps typical lack of
detail. The amp is always crucial. Air is Air. But I also get a great sound
from a tube D.I. that I have called the Evil Twin. It has a sound thats
similar to the tube front end of a Tweed Twin; its very fat. The last
output I will send to the Soup de Jour. Sometimes this is a Zvex
Woolly Mammoth or one of the new Dunlop pedals. This is where I put on distortion
and any weird effects. In rock, a little distortion goes a long way to bring
bass out of a mix. It keeps you from having to compress the bass too much. A
little bit of grind really helps. I like to actually hear it.
Finally, you have to pay close attention to phase. Using multiple mics will
tend to create phase problems. Anytime you are mixing multiple bass tracks,
you can have phase problems which will affect your sound. Make sure your tracks
are phase aligned. With proper phase alignment and the versatility that I get
from 4 different tracks, Im able to get a sound that works well for a
variety of musical styles.
More articles
|